An interview conducted as a project of +dog (plus dog) of Musicnet, a music information site of Sony Magazines. The project’s purpose was to take a close look at the relationship between artists and their pets. This is an interview with Kokia, who appeared as the fifth guest.
Original URL: http://www.musicnet.co.jp/plusdog/05/plusdog05.htm (dead link)
Source: a backup in WebArchive (in Japanese)
(Currently, the content of the interview is under translation.)
Interview conducted as “New Forces in Music” (音乐新势力) Vol. 94 of Migu Video (咪咕视频) on the occasion of KOKIA 2024 Shanghai concert “Hoshi-zora Hana-utage”. The contents include the theme of the 2024 Shanghai concert, the song “Shiroi Yuki”（「白い雪」） popular among Chinese fans, their music style, and their thoughts on Shanghai and the Chinese concert. Also, a cut of “Hoshi no keiji (Japanese version)”（「星の啓示 (日本語バージョン)」） from the Shanghai concert is inserted at the end of the interview.
Interview video link: 音乐新势力Vol.94：新歌推介官KOKIA吉田亚纪子「星空花宴2024」
Interview conducted on the occasion of KOKIA 2024 Shanghai concert “Hoshi-zora Hana-utage”. The contents include the production process of the collaboration songs so far, how the KOKIA language was born, and how the instruments were used in the arrangement. Also, impressions of the performance in Shanghai, China, and other topics.
Source: An article by AHK Event Collection in Weibo
(Door image also taken from this source. More photos in original article.)
This page is published for the purpose of translating and sharing the content from the above source page. However, it will be promptly removed if requested by the copyright holder.
Additionally, the text on this page has been translated from Chinese and may differ from the original nuance.
Interview conducted on the occasion of KOKIA 2024 Live in Shanghai “Hoshi-zora Hana-utage”. It was conducted based on questions solicited from Chinese fans for Kokia, a singer-songwriter with a unique style in her 26th year since her debut.
The purpose of this page is to publish an interview with KOKIA for archival purposes that was originally published free of charge on a web page. However, we will promptly delete the page upon request from the copyright holder.
This interview article is currently not available since it is in under translation.
This is the interview with KOKIA appeared in Neowing’s musician special feature. Considering the content, it is an interview in early 2006. The interview was mainly about KOKIA’s first best album “pearl ~The Best Collection~”.
The article features the arrangement of “Arigato…” and “The Power of Smile”, and the introduction of KOKIA’s language that appears in “Chouwa oto ~with reflection~” as well as topics such as how to face singing songs.
An interview with KOKIA published in the webpage “Music Lounge” for February 2008. She talks about the 10th anniversary of her debut and about her 10th anniversary album “The Voice”.
The purpose of this page is to publish an interview with KOKIA for archival purposes that was originally published free of charge on a web page. However, we will promptly delete the page upon request from the copyright holder.
This interview was conducted as the second installment of the interview series by Ai Kawashima (川嶋あい), who is a singer-songwriter. Her first single “Asu e no tobira” (“The door to tommorw”) is one of representative songs of the group “I WiSH” where Ai Kawashima is a member of the group. Moreover, the song “Tabidachi no hi ni” (“On the day of departure”) written by her is one of the best songs that is often sung at graduation ceremonies at schools.
The singer-songwriter Ai Kawashima has been interviewing hot artists! In this second installment of the series, she is joined by KOKIA, who has released a new album “moment”, which challenges the use of a special recording technique. What will the two female singers, who both write lyrics and music, have to talk about? We can’t wait to hear what they have to say!
The content of this web page is taken from a government webpage and has not been modified except in relation to translation. It is hereby explicitly stated that reproduction and translation of the original content (except photo images) are permitted by the government’s rule (The webpage on the rule, in Japanese).
In 2007, Japan was hit by one of its most significant earthquakes, the Niigata Chuetsu-oki Earthquake. This interview is about the story of an e-mail from a woman to KOKIA, and the music that came from it.
The purpose of this page is to publish an interview with KOKIA for archival purposes that was originally published free of charge on a web page. However, we will promptly delete the page upon request from the copyright holder.
KOKIA says that she is a business-like musician too much. This also means that she is able to produce herself with precision.